They Are Shown On Pay Television Or Cable Television, And Sold Or Rented On DVD Disks Or Videocassette Tapes, So That People Can Watch The Movies At Home. After Movies Are Shown In Cinemas For A Period Of A Few Weeks Or Months, They May Be Marketed Through Several Other Medias. ![]() Most Movies Are Made So That They Can Be Shown On Screen In Cinemas And At Home. This Argut Has Been Supported By Many Examples Such As Millet And Van Gogh, Picasso, Manet, And Monet, etc. However, Parc Argues That Contrary To Prevailing Beliefs, Imitation And Copying Do Not Restrict Cultural Creativity Or Diversity But In Fact Support Them Further. It Is Widely Believed That Copyrights Are A Must To Foster Cultural Diversity And Creativity. For Some People, Fun Movies Can Mean Movies That Make Them Laugh, While For Others It Can Mean Movies That Make Them Cry, Or Feel Afraid. Most People Watch (View) Movies As A Type Of Entertain Turning Red It Or A Way To Have Fun. Movies, Or Films, Are A Type Of Visual Communication Which Uses Moving Pictures And Sound To Tell Stories Or Teach People Something. ![]() This Means That Copyrights Granted By The Law Of A Certain State, Do Not Turning Red Etend Beyond The Territory Of That Specific Jurisdiction. Copyrights Can Be Granted By Public Law And Are In That Case Considered "Territorial Rights". These Rights Frequently Include Reproduction, Control Over Derivative Works, Distribution, Public Performance, And Moral Rights Such As Attribution. It Is Often Shared Among Multiple Authors, Each Of Whom Holds A Set Of Rights To Use Or License The work, And Who Are Commonly Referred To As Rights Holders. Some Jurisdictions Require "Turning Red" Copyrighted Works In A Tangible Form. ![]() A copyright Is Subject To Limitations Based On Public Interest Considerations, Such As The Fair Use Doctrine In The United States. Copyright Is Intended To Protect The Original Epression Of An Idea In The Form Of A Creative Work, But Not The Idea It Self. The Creative Work May Be In A Literary, Artistic, Educational, Or Musical Form. THE RAID made its North American debut at the 2011 Toronto International Film Festival, where it quickly gained buzz thanks to an enthusiastic audience reception, while also garnering the Cadillac People's Choice Midnight Madness Award.Copyright Is A T Of Intellectual Property That Gives Its Owner The Turning Red Eclusive Right To Make Copies Of A Creative Work, Usually For A Limited Time. With his team cut down to a mere handful and his munitions exhausted, the determined cop vows to complete his mission by whatever means necessary. Meanwhile, Tama realizes that some of the cops have managed to survive the initial assault, so he unleashes two of his best men to stop them dead in their tracks. The exits have all been blocked, and with Tama's men closing in fast Rama's only hope is to keep going up and take out anyone who gets in his path. Even the bravest cops in the city have never dared to breach Tama's fortress, and once the team's cover is blown, it quickly becomes apparent why almost immediately, half of the team is shredded in a vicious barrage of gunfire and machetes. Their mission is to take down Tama (Ray Sahetapy), a vicious criminal kingpin who uses the building as a shelter for both his many customers and his small army of loyal dealers and killers. Following orders from his lieutenant - a respected police veteran and mastermind of the ambitious raid - Rama leads his heavily-armed team into the building silently and stealthily. Expectant father Rama (Iko Uwais) is an honest cop with deadeye aim and killer fighting skills. ![]() A police raid on a Jakarta tenement building turns into a non-stop bloodbath when the drug dealer who owns it unleashes a furious barrage of fists, bullets, and blades, leaving the few remaining survivors of the invading SWAT team to fight their way up to the top and end the psychotic criminal's violent reign once and for all.
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