![]() By combining human and plant DNA in a new flower, in a visually dramatic way (red expression of human DNA in the flower veins), I bring forth the realization of the contiguity of life between different species. ![]() It uses the redness of blood and the redness of the plant's veins as a marker of our shared heritage in the wider spectrum of life. "Natural History of the Enigma" is a reflection on the contiguity of life between different species. In this work, it is precisely that which identifies and rejects the other that I integrate into the other, thus creating a new kind of self that is partially flower and partially human. The gene I selected is responsible for the identification of foreign bodies. The result of this molecular manipulation is a bloom that creates the living image of human blood rushing through the veins of a flower. The petal pink background, against which the red veins are seen, is evocative of my own pinkish white skin tone. The gene was isolated and sequenced from my blood. The Edunia has red veins on light pink petals and a gene of mine is expressed on every cell of its red veins, i.e., my gene produces a protein in the veins only. The new flower is a Petunia strain that I invented and produced through molecular biology. The Edunia expresses my DNA exclusively in its red veins.ĭeveloped between 20, and first exhibited from April 17 to Jat the Weisman Art Museum, in Minneapolis, "Natural History of the Enigma" also encompasses a large-scale public sculpture, a print suite, photographs, and other works. The central work in the "Natural History of the Enigma" series is a plantimal, a new life form I created and that I call "Edunia", a genetically engineered flower that is a hybrid of myself and Petunia. ![]() Natural History of the Enigma Original Text
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